How Olympic Knitting is Like Magic Realism

Kiri is now almost big enough to conceal the panda: I'm part-way through Repeat 7 of 12 of the main chart, and the rows oh my they are getting long. I can no longer say "I'll just finish this row and then I'll [insert urgent matter here]" because the house would burn down or I'd wet my pants before I made it through the 200+ stitches.
Last night I made a mistake and didn't catch it for two rows...and I jerry-rigged a solution, which I've been trying to avoid doing. Part of my Olympic challenge is to give a damn about going back and fixing screw-ups. In general I subscribe to the if-you-can't-see-it- from-the-back-of-a-cantering- horse-to-hell-with-fixing-it school of error repair, but a little more perfectionism wouldn't hurt my craft. Last night: too, too tired. For me, nothing good comes of trying to knit past 11PM. Brushing my teeth is about as dexterous as I can get when it's that appallingly late.
Yesterday, the Chief Olympitrix reflected on what she's learned from this one-project madness. I've learned a few things, too, and not just that I can't watch skating and knit lace at the same time. Back in the day at UBC, some guy I had a crush on encouraged me to read A Hundred Years of Solitude, so I got a copy and read it in small bites on buses and before bed, and I thought it was fine and had some clever scenes but I couldn't keep straight all the Aurelio and Arcadio Buendias and I lost the plot a lot.
Maybe a year later I had to write a paper in a hurry on magic realism in Marquez and Faulkner and so I re-read A Hundred Years over a couple of days and the Aurelios and Arcadios distinguished themselves from one another and the magic realism grabbed me and held on. I Couldn't Put It Down, and not just because a deadline was coming at a gallop.
Kiri is affecting me the same way: ordinarily, I'd knit this pup over six months and never get

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